Band

For over two years now, Priority Orange have been staking their place in the Adelaide music scene. Determined to stand apart from other bands, they've successfully woven many under-represented genres into a singular sound that is truly unique. With the two EPs released in 2009 and 2011 to appreciative reviews, that signature sound had already begun to evolve from alternative-grunge to include progressive-rock elements, and the third record will explore adding concepts from extreme metal into the mix.

"If the first EP was Duplo, and the second one was Lego, the third will be like Meccano; sharp, pointy and metallic. And heavier."

The band's live shows are continuously remarked upon as being highly entertaining, due to their tongue-in-cheek approach to stage antics.

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name: larry ash instrument(s): guitar/vocals member since: 2004

Bio: Despite initially taking an interest in keyboards, Larry followed his entire immediate family and picked up the guitar at age 12. Having received a few pointers, he then primairly taught himself the instrument with the aid of books, learned to transcribe songs by ear, and began creating & recording his own music.

associated acts: Blood Red Renaissance, Mammoth, cheese of cheeses

desert island discs: alice in chains "dirt", black sabbath "master of reality", strapping young lad "alien", kaki king "legs to make us longer", frank zappa "over-nite sensation", rollins band "weight", the beatles "rubber soul", led zeppelin "iii", pink floyd "animals", Helmet "Strap It On"

gear: Fender Stratocaster guitar, Ash Laz-Paul guitar, BOSS DS-1 distortion, Vox V847 wah, Digitech Bad Monkey overdrive, BOSS ME-30 multieffects, Krankenheimer talkbox, Woogie 100-watt tube amp, Krankenheimer KSQ412 cabinet, Crate amp, D'Addario EXL140/EXL117 strings, DiMarzio pickups and cables, Dunlop Ultex 1mm picks, Shure SM57 mic (vocals)

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name: shaun hurrell instrument: drums member since: 2005

Bio:

associated acts: drowsy drivers die, cheese of cheeses

desert island discs:

gear: pearl drums, sabian cymbals

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name: max duncan instrument(s): bass/vocals member since: 2006

bio:

associated acts: jehovah in pain, team finkle, standard rig

desert island discs: Yes "Union", Metallica "Reload", Discharge "Grave New World", Celtic Frost "Cold Lake"

Gear: Ibanez 5-string active bass, Hartke bass amp, BOSS pedals, Planet Waves cable

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name: lisa lane-collins instrument: guitar member since: 2008

bio:

associated acts: convict anatomy, monkeybox

desert island discs: the cure "pornography", devin townsend "ziltoid the omniscient", tool "lateralus", system of a down "system of a down", that1guy "the moon is disgusting", gomez "liquid skin", depeche mode "playing the angel", nine inch nails "the fragile", queens of the stone age "queens of the stone age", concord dawn "uprising"

gear: Ibanez SA260 guitar, Vox Valvetronix amp, Ibanez TS-9 Tubescreamer overdrive, Danelectro Fab distortion, Korg Pitchblack tuner, DiMarzio cable, D'Addario strings, Yamaha Pacifica PAC012 guitar

Music

Priority Orange - Mk II (April 2011) 1. He's In The Pub [4:45] 2. The Diode [4:22] 3. Cammy [4:38] 4. Not Naming Names (live) [3:38] [ download album ]

Larry Ash: guitars, vocals, production, synthesisers, programming Shaun Hurrell: drums Max Duncan: bass [1/4], vocals, cowbell [1] Lisa Lane-Collins: guitars, vocals [1/2], synthesisers Mino Kolega: vocals Matthew R. Davis: bass [2], synth bass [2] Simon Henderson: bass [3] Mika El Inspire Wonder: vocals [3] Tim Dodd: saxophone [2] Jaime Dowling: vocals [2] recorded and mixed at French Fry Phantom Studios, Adelaide drums tracked at The Drama Studio mastered by Owen Gillett at Diskedits music & lyrics by Larry Ash band photography by Phebe Rendulic Track 4 recorded live-to-air at Radio Adelaide 101.5FM on Tuesday 30 March 2010 "build exchange / and i feel estranged / too good to be true / words and acts / and abuse of facts / make me unlike you / all of this now / you're selling off / just where did all this shit come from / instead of if i had been smarter / or waited just a fraction longer / come to know what law and order / i'll blame you for everything / so demure / disappointing sure / how could i suspect / surface thin / and noone sees in / case it's imperfect / understated / your fragile heart / cracks appear after it's broken / karma lends what it affords to / you're the only one i know / who could redefine your boundaries / who could change yourself from the outside / who could turn gravel into almonds / and act like it happens everyday" // "attached to the bored / you're running on negativity / frustrating in simplicity / discrete and part of a bigger plan / half of which you'll never understand / it's alright by you / you see only the crest of the wave / and you shut yourself off / as though you have got something to save / and you're biased / and you don't know shit / tired of being ignored / mismarked in sensitivity / to burn out quick is your destiny / one in a fucking billion / you create the division / rectified / said anything / wanted to / start again / wrecked if i'd" // "sounds awash but some are never heard / rippling through the medium / after all / following everything / didn't want to feel this way / so jaded / why does everybody only tell you lies / sights bloom and some will never dim / sink into depths of blue and green / i walked out / slower than months can move / an escape can light your way / to nowhere / there ain't no such thing as safety in yellow / seems to me the moment / it's over / it could be just unlike any one i've known / didn't want to leave this place / so jaded / ain't the greatest question the one you never ask" thanks: you for buying this ep (betcha didn't see that one coming), our entire families, jacob simionato (for the cads), jai aspinall (for the egg), shane connelly, thomas cassar, john clare, three d radio, radio adelaide, music sa, that security guard from the uni, neville clark, bellavita pizzeria, all the bands we've played alongside so far (except some of the crap ones). gear: krankenheimer, fender, cakewalk, presonus, d'addario, pearl, vox, boss, sabian, digitech, samson, woogie, shure, sennheiser, rode, dimarzio, ibanez, electro-harmonix, ash guitars, korg, cimar, camel audio, native instruments, audio-technica, warwick, behringer, genz benz, ltd, hartke, swr. next ep coming soonz © 2011 FFPS Records. All rights reserved.

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Priority Orange - EP (September 2009) 1. Left To My Own [4:32] 2. Anyway [4:28] 3. More [3:42] 4. Pigmeat [4:15] [ download album ]

Larry Ash: guitars/vocals/bass/programming/samples/production Shaun Hurrell: drums (live) Max Duncan: bass (live) Lisa Lane-Collins: rhythm guitar (live) Music & lyrics by Larry Ash With contributions to tracks 1-3 by Mino Kolega "inside the cube i was bestowed / i could have sworn those walls echoed / every damn fear that overflowed / all must get out / stifled and exiled / made it alone / dull foster child / left to my own / down desperate rivers running / obsequiously incoming / haze ceiling overhead thickening / poor creduloid" // "dense with ignorance / don't ask me what i'm doing tonight / time to change my mind / i act only out of spite / i forget exactly why i'm here / i can lie by double negative / i don't see how you can fill in the blank / i feel nothing / anyway to live / great i'll elevate / i'm digging you a deeper hole / thief sucking belief / i robbed everything you know / screen as if unseen / change direction of the line / lead then rejected / by what you thought of as divine" // "kinda like / the same square / it's not said / that look there / what you red / you're just as fucked up as before / now i'm leaving you wanting more / the thing is / in person / it gets worse / then it's gone / gonna hurt / you know who you remind me of and so do i" // "now that you've said all you have to say / ego only got in the way / ain't been as pissed off as i am now / tell me the why and the where and the how / dammed yourself and dammed by everyone / the harder you chase it the faster it runs / seriously don't take this personally / it wasn't as easy as it seemed to be / what the fuck is going through your mind / mumble synonyms i try to find / vision and everything interferes / am i gonna be static for years" Recorded/mixed at French Fry Phantom Studios during 2008-2009 Additional tracking at Sunset Rehearsals [1-3], The Green Fortress [4] (Feb 2006), Saint Alfonzo's [1-4], Adelaide Uni [2-3] Mastered by Owen Gillett at Nannahaus Booklets manufactured by Digital Print Australia Band photography by Tim Dodd [flickr.com/notreallytim] Gratuitous Thanks: the entire Ash/Jones family, Mino Kolega, Tim Dodd, Stephen Campbell, Cran Wilton, Dean Edwards, Simon Henderson, Adam Knott, Greg Hart, Darrell Cole, Tim Reschke, Tim Richardson, Ryan Kroemer, Scotty Gaiden, and several other individuals. Gear Used: Krankenheimer, Fender, Cakewalk, Presonus, Daddario, Vox, Boss/Roland, Digitech, Samson, Woogie, Shure, Sennheiser, Rode, Dimarzio, Korg, Cimar, Camel Audio, Epiphone, plus other crazy crap. Distractions: Half-Life 2, Doom 3, Left 4 Dead, Beyond Good & Evil, Full Throttle, Starcraft, Quake IV, Vampire: The Masquerade - Bloodlines. © 2009 FFPS Records. All rights reserved.

Blog

[03/12] Autumn Update

So we're still [primarily] hosting this blog on MySpace; is that a bad thing? Are there better options? Does anyone care? What else should we use? Goddamn Tumblr? Bleh! Anyhow...

Much has been happening over these past three months. First of all, I compiled the free live-on-stage EP "Livejunk 2011" and uploaded it to Bandcamp (http://priorityorange.bandcamp.com/album/livejunk-2011). It's six songs from three separate gigs including two from the infamous unplugged Save The Kimberly benefit show. No editing or overdubs were applied, so expect a few audiowarts here and there. Much like the radio EP, this is just an intermediate release to pad out time between studio work.

Also, we got a song (HITP) included on the summer Music2Face compilation. Feels good to know we'll be reaching a new audience, but we really should've remastered the song to compete loudness-wise with the other artists' heavily-limited tracks on the disc. Honestly, the thought never even crossed my mind, but at least we'll know for next time. If you pick up a copy, just turn up your volume knob when we come on. Oh, and keep this in mind when comparing: "Mk II" cost ZERO dollars to record and mix.

For fans outside of Adelaide, t-shirts can be now bought from our Spreadshirt store (http://priorityorange.spreadshirt.com). Because these are manufactured to-order in the USA, the shipping is fairly expensive to Australia, but it should total to about $28AUD (at parity exchange rate) which is probably what it would cost for us to post a shirt interstate anyhow. We're gonna aim to get some printed up locally which will be sold at gigs for a much more affordable price, hopefully in a few months.

And as I say every season: "we're working on the next batch of songs, blah blah blecch"... you know the drill by now.

On the personal front, I did end up doing the four-bands thing in January, which was exhausting to say the least. For about two weeks there was either gigs or rehearsals on nearly every day, so it essentially became a full-time job. But I managed to pull off guest-guitaring for Across The Maelstrom on the 14th, Orange on the 19th, then both Manifesto (on bass in Mino's stead) and Blood Red Renaissance on the 21st. After that I just wanted to run away from music altogether, except we did another show on Feb 4th which meant I got immediately thrown back into rehearsals again. Certainly I feel like performing is a kind of "calling", but four rock bands might be a bit too much. At the end of the day, Priority Orange is my ultimate project at this point in my life, and I need to ensure that it receives the attention it deserves to be completed. Once it's done, then I'll start the dumb shit.

- Larry

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[12/11] Summer Update

When we played The Cavern Club on November 4th this year, it marked the One-Day-Short-Of-A-Two-Year-Anniversary of the current Priority Orange lineup, the four of us having first performed at The Gov's front bar on Nov 5th 2009. Against my own doubts (I thought we'd be lucky to do half a dozen shows before getting the shits), we've managed to persevere and continue functioning without any major issues.

The last few gigs we've played have included a pair of quite new songs, so new that they're in fact unfinished (vocally at least). One is my own, temporarily titled "Ayeyoo", the other is a Max Duncan-penned ditty called "After Dark With Mr. Reed". The idea is that if we perform songs live as soon as they are ready to go then we can get a better feel for how they work. It's most likely coming as a antithesis to how we recorded "Cammy" from MkII: I had only just finished writing the music before we began recording, so Hurrell only had a few weeks to learn the drum parts (a point he's always quick to reiterate). With the newer material being even more complex, it feels like a wise move to begin rehearsing as a band as soon as we have a few riffs strung together, so everybody can feel comfortable. That way it's just, "y'know part A, it runs into part B and then it ends on part C." That's actually an apt description: most of the new stuff doesn't really follow a conventional verse-chorus structure, it's all more of a winding path of harmonic concepts.

We're probably aiming to start tracking the next (maybe final?) EP sometime next year: four or five songs, heavy as all buggery, with a really straight-ahead approach to production. While last time I quantised the crap out of the drums and layered a bazillion synths over the top of the mix, this time I want to have just a few casual loops synced to the live drums (a technique I still need to investigate further) with minimal editing, and am also contemplating the idea of developing all of the synthesiser-esque sounds out of heavily-processed guitars (allegedly this was how most of the sounds on NIN's The Fragile were done, but I hear a few oscillators in there).

The unplugged show proved to be interesting, and the benefit raised a decent amount of money at the gig, but I don't know whether it's something we want to do ever again.

Also thanks to the wonderful Mandi at Coast FM 88.7 for inviting us in for an interview, where we got a chance to plug our show with Melbourne band Alithia who were embarking on their first national tour.

And we got a review of Mk II courtesy of Music SA (http://www.musicsa.com.au/articles/reviews/2011/priorityorange.aspx). I dispute the comment on our originality, especially when compared to other Adelaide bands, but appreciate the second paragraph.

Midway through November, we were all in shock to hear that our old bass-player, former song co-writer and regular cohort Mino Kolega had suffered an accident at work which nearly incapacitated his left hand. It came at an especially unfortunate time as he had just joined local thrash-metal band Manifesto on bass, and was enjoying getting out there gigging and contributing new songs to the band. As a saving grace, it appears that he will retain a grip in his left index and thumb, so it's likely that he will eventually resume playing again, albeit as a left-handed guitarist/bassist. With my basic knowledge of luthiery, I'll do what I can to facilitate converting some of his instruments over to the other side. We all wish Mino a speedy recovery and the best for the future.

It's adding up to be a busy summer, for me at least: aside from writing the new Orange songs and gigging, I'll also be contributing my first recorded guitar tracks to the new Blood Red Renaissance EP (eh, it's only been 3 years in the making) alongside newest member Pete "Brush" Sears, plus their live shows; then I'll be handling bass duties for Manifesto gigs in Mino's absence, AND it looks like I will also fill in with Across The Maelstrom while their guitarist is overseas. Plus there's the occasional bit of mixing work, and that's all just this January.

- Larry

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[09/11] Spring-g-g Update

On Saturday September 10th we'll be having a crack at an "unplugged" show for a "Save The Kimberleys" awareness event (bit.ly/qjTwKw). The concept first crossed my mind after we opened a show with MonkeyBox, and I realised we would've had a better chance of cracking their audience if acoustic guitars were involved. I've always viewed the Priority Orange repertoire as genre-flexible, and that playing the songs as grungey-metal is as valid as a folkier interpretation, and ought to still hold water. So I'll bust out the old Seagull, Lisa will hop on keyboards for extra texture, and the Max & Hurrell rythym section get to take a leisurely cruise through the set.

At the other end of the spectrum, the new songs are all still in progress, though I'm ensuring that there'll be adequate time to thoroughly flesh them out before even considering recording. In hindsight, I felt that the "Mk II" EP was let down by not being four cohesive songs: to me it feels like a very strange 3-song disc with a lacklustre bonus track. And although I said previously that we'd release a single in the interim (working-titled "Ayeyoo"), it looks like it will fit in well with the other material, so we'll save it til then. With the third EP, I want to create something that clings onto your face and doesn't let go. The early demos are in my car and already sound amazing. It's going to be crazy, proggy, and undeniably mehtorl.

The making-of "Mk II" documentary is still going to happen, though the fact that my video editing software refuses to run is a hindrance indeed. It'll probably end up as a 5-10 minute film, with just short clips of the recording process and the guests involved, and ought to be online by the end of the year. Actual film clips are another matter entirely...

It really doesn't feel like we've already done ten shows this year, which I guess is because a few of those were duds. But it certainly looks like we'll fulfil our dozen-a-year-or-so quota with the next few gigs, and go rather mental during the next summer when the music is the most ripe.

- Larry

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[06/11] Winter Update

You know how I said we wouldn't do a launch gig for Mk II? I lied. A local band only gets to do one such event for each disc they release, which you can probably count on one hand (often twice), so we may as well seize the day and make a song-and-dance about it. Considering we've thus far failed to do exactly that.

So the "launch" is on Saturday June 11th at the Crown & Anchor. We're playing at about 10PM after Laconica, with Scylla's Ayre and Isle Of Vision following. Free entry and such and be assured we'll be relentlessly cramming the new EP down your throats like the musical H.R. Giger creature we are.

We're currently working on three new songs (one by myself, two by Max) which we hope to premiere within a few months, and aim to have at least half of the next EP written before the end of the year. There's some gritty stuff going on with these, along with tricky time-signatures and exotic chords which should help to alienate us further from the discerning listener.

Meanwhile, the Mk II making-of documentary was put on the shelf for a spell what with the commotion of actually finishing the recording itself, but now that things are simmering down it's an ideal time to cobble it together and get it out there. There were also ambitious plans for a stop-motion film clip for "The Diode" which may be scrapped purely because shooting 3500 frames of animation would be inscrutably difficult; I'd rather just plonk the band in front of a green bedsheet.

- Larry

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[04/11] Priority Orange Release Second EP: "Mk II"

Thursday 14 April 2011: Adelaide-based heavy-grunge-rock band Priority Orange have released "Mk II", their second EP following 2009's self-titled debut. Again featuring 4 tracks, the new album showcases a wider range of influences, particularly progressive rock, and has been heralded as "a step forward" in songwriting. Guest musicians from bands such as Blood Red Renaissance and Black Orchid are featured on several tracks. "Mk II" will be available as both a physical CD (which includes quadrophonic mixes of the studio tracks and previously-unreleased live videos) and as a digital download from http://priorityorange.bandcamp.com.

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[03/11] Circle April 16th On Your Calendar

So, fiiinaaally, after five months, everything has been tracked that will be on the "Mk II" EP. The drums, bass, multitude of guitars, plethora of vocals and myriad of textures are all in the box and ready for final mixing. I don't believe that the stereo versions (which appear as normal tracks on the physical CD and digital download) will fully convey the amount of work that has gone into this project; that prestige is reserved for the surround-sound mixes (which can be found as 6-channel MP3s only on the CDs) where every element can shine in its own little corner, and less compression is applied. It's a shame that the Surround MP3 codec is far from high-quality as this is the only feasible way (and least confusing; AC3 may be better quality but not as universal) to distribute these at this point in time, though I'll look into a way to provide lossless 48kHz/24-bit surround mixes if there's enough interest.

What will also appear on the CD exclusively are a few previously-unseen live videos (encoded with Xvid/LAME) from some of the gigs we've played since the first EP came out, obviously consisting of material from that album. Unfortunately, I made the decision to exclude the making of "Mk II"; this is because most of the video editing could only be done once the tracking was finished, and I didn't want to delay the release any further than necessary, which has definitely been impeded by simultaneously restarting Blood Red Renaissance and recording a demo album for thrash-metal band Manifesto. The mini-doco will rear its ugly head on our YouTube one day in the near future.

In the chaos that envelopes studio work I've quite simply forgotten to book our own gigs, so the EP will probably just go out to radio/stores/online without an official "launch" gig, but the next show we play will certainly feature every song from it (um, yeah again). The next plans for the band are to record the out-take from Mk II (a song temporarily known as "Ayeyoo") as a free stand-alone single, giggin', then to continue writing for the third EP. I'm looking at that one as, "if the band folds afterwards, it should contain everything with no loose ends," so we'll take our time with it and ensure it rounds out the trilogy with a bang.

- Larry

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read more...

Shows

∞ Fri 1st June: Forresters & Squatters Arms (bistro room) w/ System Of Venus, 510 and others ∞ Sat 28th July: Enigma Bar w/ Zero Hour, Synnove and Second to Fire ∞

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Previous Gigs:

2012
Sat 12 May 2012: Loxton Hotel (w/ The Sky Will Know, Sine For Fire, Hally, and We Say Run)
Sat 4 Feb 2012: Enigma Bar (w/ The Skyrats, Cherry Grind, Like Thread, One Fell Short)
Thu 19 Jan 2012: Ed Castle (w/ Spirograph, Sherpa's Playground)
Sat 7 Jan 2012: Gov Front Bar (Lite-Edition w/ 510, Postbox Dynasty, and others)_{[Max: drums; Lisa: bass]}

2011
Fri 25 Nov 2011: Enigma Bar (w/ Alilthia (Melb), Colourvision, and The Aura Form)
Fri 4 Nov 2011: Cavern Club (w/ Silent Psychosis, Blood Red Renaissance, TKBF)
Sat 10 Sep 2011: Jade Monkey - unplugged (w/ Minority Tradition, Joe Carvosso, Red Light Sound)
Sat 27 Aug 2011: Forrester's & Squatter's Arms (w/ Across The Maelstrom and special guests)
Fri 15 Jul 2011: Crown & Anchor (w/ Spirograph and Slave Girls From Beyond Infinity) _{[with Mino]}
Sat 2 Jul 2011: Cavern Club (w/ Hekyl, Monkeybox and New Found Objects)
Sat 11th Jun 2011: Crown & Anchor (w/ Scylla's Ayre and Laconica)
Sat 30th Apr 2011: South Coast Raw (w/ Shot For Treason, The Paradise Syndrome and Pigsteerer)
Sat 16th Apr 2011: Land Of Promise (w/ 510, Postbox Dynasty, Mika El, and others) _{[with Mika]}
Thu 7th Apr 2011: Cavern Club (w/ Cavefire Cinema and Here We Divide) _{[Lisa: bass]}
Sat 26th Mar 2011: Land Of Promise (w/ Postbox Dynasty and Bitchspawn) _{[with Mika]}
Fri 28th Jan 2011: Enigma Bar (w/ Burn'Collect and Guilt Free)
Sat 15th Jan 2011: Land Of Promise (w/ The Long Grind, Sirius and Convict Anatomy) _{[with Mino]}

2010
Sat 18th Dec 2010: The Pharaoh (w/ Leather Messiah and Those Internets)
Thu 25th Nov 2010: The Gov Front Bar (w/ Envy Street)
Sat 13th Nov 2010: Brecknock Hotel (w/ Woe and Dead Man Ink)
Fri 22nd Oct 2010: Forresters & Squatters Arms (w/ The Baron and Across The Maelstrom)
Sat 2nd Oct 2010: Crown & Anchor (w/ Terminal Zero and Forget All This)
Sat 10 Jul 2010: Three D Radio 93.7FM Sound Lounge _{[live-to-air]}
Sat 12 Jun 2010: Jade Monkey (w/ White Rhino and Electric Shitstorm) _{[with Mino]}
Sat 8 May 2010: Joiners Arms (w/ Forget All This and Drop Zone)
Tue 30 Mar 2010: Radio Adelaide 101.5FM Live Noise _{[live-to-air]}
Wed 17 Mar 2010: Producers Bar (w/ Inferiority Complex and Heston Drop)
Fri 26 Feb 2010: Forresters & Squatters Arms (w/ Blood Red Renaissance and Inferiority Complex)
Thu 4 Feb 2010: Jade Monkey (w/ Van Cleef! and 4 Kings Loud)
Thu 21 Jan 2010: Crown & Anchor (w/ Team Finkle)

2009
Fri 18 Dec 2009: Forresters & Squatters Arms (w/ Standard Union and Days To Come)
Sun 22 Nov 2009: Crown & Anchor (w/ Stu Daniels and British Assist)
Thu 5 Nov 2009: The Gov Front Bar (w/ Finger Cuffs)

2005/2006
Thu 14 Dec 2006: Jive (w/ A Mother's Worry) _{[Tim Dodd: bass; Max: drums; Larry: guitar/vocals]}
Thu 20 Oct 2005: Roma Mitchell TAFE (w/ Lotosoma) _{[Tim Dodd: bass; Hurrell: drums; Larry: guitar/vocals]}
Fri 1 July 2005: Lizard Lounge (w/ Mad Batch) _{[Mino Kolega: bass/vocals; Hurrell: drums; Larry: guitar/vocals]}

Videos

	Cammy - Live [04:23] Recorded live at the "Mk II" EP launch. Filmed by Alistair MacMordean and Jack Collins.
	Anyway - Live [04:40] Recorded live at the "Mk II" EP launch. Filmed by Alistair MacMordean and Jack Collins.
	More - Live [03:26] Live at Forresters & Squatters Arms 22.10.10. Also shot by Matthew R Davis.
	Anyway & More (feat. Mino) [08:27] The ever-screaming Mino joins us live at the Jade Monkey to perform a few songs. Video shot by Paul Hutchinson. Live mix by Shane Connelly.
	Pigmeat (live @ Crancor) [04:06] Bleh-o-matic. 22.11.09 As shot by Jack Collins.

Links

Bandcamp listen to and download full and exclusive albums	Facebook connect with the band and fans here	Twitter follow us here for the most direct news
Myspace photos, music, gig guide, blog archive	Adelaide Music Wiki extensive info on the band (contributions welcome)	Soundcloud streaming tracks and some exclusive songs
Reverbnation uhh yep ...	MusicSA our listing alongside other local bands	YouTube videos of live songs, film clips and misc
French Fry Phantom Studios Larry's personal studio where the magic happens (when he's not sitting around drinking Iced Coffee and watching Frasier DVDs)	email: management@priorityorange.com